The Muse Doesn’t Live In The Shallow End
I was on a call a few years ago with an author in Scotland and we got to talking about art. It turns out there are similarities between creating art and writing novels. An interesting discussion ensued that I’d like to share with you.
We explored a premise for my book The Artist’s Journey about the inner journey of creating art:
Dive Deeper. That’s Where The Magic Is.
What if the most important thing you must do to fulfill your destiny as an artist is to first conquer yourself?
And I’m not posing this question just because I’m an existential psychiatrist.
Let this question sink in for a moment.
Perhaps a crucial part of being an artist is grappling with the struggles that creating brings up.
Beyond The Sirens: Resisting Safe Art
Facing the dark night of the soul of self doubt in the middle of the painting is something you experience ad infinitum and yet you continue your journey into the terra incognita, the unknown territory of your creations.
Meanwhile, you could be seduced by the Siren calls beseeching you to paint what’s worked before, what’s sold or what the gallerists want from you. And you could settle for the slippery slope of repeating yourself in your art.
But you know that the moment you become complacent, the moment you give up the fight, is the moment you’re no longer seeking your deepest truth, your most authentic expression in your art.
Lash Yourself to the Mast, Then Paint Like Hell
To give up the fight is to settle for no longer searching to express you in your art, but rather settling for the easy, low hanging fruit of the tried and true.
In art, one way this shows up is creating formulaic paintings and repeating yourself. You wager on achieving a “successful” painting by lowering your risk of the emergence of an “ugly” one, but by doing so you increase your odds of boring yourself with predictable art.
A Thought Experiment
Albert Einstein popularized the notion of thought experiments when he explored hypothetically riding in a train at the speed of light.
Thought experiments are hypotheses posed in your mind to explore the potential consequences of the principle in question. In philosophy, they’ve been around since classical antiquity, pre-dating Socrates.
Here’s a thought experiment for you:
On your deathbed, which scenario will bring a smile to your face? The safe paintings or the wild, audacious ones?
Do you want to bite into life? Bite into your art?
Or do you want to be gummed to death?
Better to sink your teeth into your paintings, wrestle them down to the ground and leave some of them raw and “unfinished”.
The Lessons
Great literature teaches us these lessons.
In the Bible, Jacob wrestled with the angel by the river. In The Odyssey, Odysseus’ men lashed him to the mast so he wouldn’t mindlessly succumb to the seductions of the Sirens. In The Divine Comedy, Dante journeyed the depths of hell in search of himself, God and love.
Dante ultimately asked the question: Who am I?
I think we’re asking this existential question. too.
And here’s what I believe:
The transformation of creating your deepest art lives at the edge of your struggle
So the question is:
Will you allow yourself to experiment?
Or will you play it safe and stay on the surface?
Feel the tension between playing it safe versus letting loose with bold strokes or unfamiliar moves.
Notice the feelings that arise when you take risks with your painting, feelings such as uneasiness, frustration or impatience.
Do you quickly retreat to familiar territory (the usual compositions, colors, marks) when this happens?
Do you echo paintings that have gained approval but no longer excite you?
Remember this:
Playing it safe means keeping yourself small and staying on the surface in order to be “acceptable”. Doing this, you unwittingly rob yourself of what’s inside, of the chance to go deeper in your art.
Will you allow yourself to make the invisible visible? To bring forth and express the wondrous, ineffable mystery that lives inside you?
Will you create your deepest, most meaningful work?
From my studio to yours,
Nancy
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I’ve just read this Nancy and I cried. So so powerful and it resonated with me on such a deep level. Thank you 🙏🏻
I have just returned to my art room and painted for the first time in ages on large precious paper using carbon ink for the first time- 2 sheets!!!
I let my soul paint – and I love it.
I have your book The Artists Way – love it and need to re-read to remind me… xxxx
Thank you, Deborah. I’m delighted my article resonated so deeply with you. Yay for showing up in your art room and painting! I love what you wrote: “I let my soul paint”. Keep painting and thank you reading my book The Artist’s Journey! Warmly, Nancy
Nancy, as always, you present provocative thoughts and beliefs. This one continues to resonate with me. Thank you…
My new mantra to quote you…
(Cathy), “the transformation of creating your deepest art lives at the edge of your struggle”
Cathy, thank you so much. That mantra guides me in abstract painting and novel writing, too. : )
“Lash Yourself to the mast, then paint like hell”!!
I love that! Quick, quick…. Before all the old voices of “don’t shine” threaten to drown me…
Yes, Karen! Go ahead anyway. Cover your ears like Odysseus so you won’t hear those old voices shouting bad advice. Love, Nancy
As always on the ball!! The safety net or the open
Ocean!! Are you prepared to JUMP or sit on the side lines!!!! I jumped and no regrets only gratitude and messy paintings. Hugs. Xxx
Exactly, Lesley! Just jump! I’ve seen you do that, again and again. Bravo! Love, Nancy
Thank you for writing this post.
I’m guilty of playing it safe and small because it’s easy and well…safe and comfortable.
But it gets old and makes it easy to procrastinate and get stuck.
You’ve given me food for thought.
Hi Lisa,
You’re welcome and thank you for your lovely note. It’s good to remind ourselves to keep going to the edge, something we explore extensively in The Adjacent Possible and The Artist’s Journey books.